Saturday, January 20, 2018

Better Bets by Rhonda Erb

Film Review: "Phantom Thread"

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“I cannot start my day with a confrontation. I simply have no time for confrontations”, Daniel Day-Lewis declares with measured indifference as Reynolds Woodcock, a London couturier in Paul Thomas Anderson’ s film, Phantom Thread. The statement is made in response to Woodcock‘s soon to be ex-lover who has made a futile attempt, over breakfast, to learn what she might do to regain his interest and affections.

Lesley Manville

It is the 1950’s and the rakishly handsome Woodcock is a talented genius who exercises total control over every aspect of his existence. With an insatiable interest in the female form, he charms women into his life, only to discard them when they no longer suit his fancy. Woodcock is ably assisted in both his business and his life, by his sister, Cyril (Lesley Manville), a stalwart supporter of all of his eccentricities. She enables his self-absorbed behavior, even when it borders on abject cruelty. The aforementioned breakfast companion is dismissed by Cyril with only a Woodcock designed dress to console her; cast aside before her mere presence might interfere with Woodcock’s creative process.

Vicky Krieps and Daniel Day-Lewis

Enter Alma (radiant newcomer, Vicky Krieps), a young waitress that Woodcock encounters at a nearby restaurant and is instantly taken with. The attraction is mutual and the two meet for dinner, eventually retiring to his home where he takes her measurements. When Cyril walks in on the blossoming relationship, she positions herself like an observer in the room, telling Alma that she has the type of body that Woodcock prefers. Clearly Cyril has witnessed this scenario before as part of her brother’s seductive process.

There is, however, something about Alma that differentiates her from the women who have come before her. As she swiftly becomes his muse and his lover, it soon becomes apparent that she is not the naive young woman that she first appeared to be. Alma is strong willed and opinionated, and her obsession with Woodcock and his work is coupled with a touch of insanity. As their twisted romance progresses, it becomes increasingly difficult to ascertain just who is actually in control.

Vicky Krieps

The costume designer, Mark Bridges, has worked with the director on several previous films. In creating the fictional House of Woodcock, he designed more than 50 garments, ranging from the dark, subdued wardrobe worn by Cyril, reflecting her effortless composure, to the opulent gowns that are featured as Woodcock’s creations. Bridges repeatedly uses color, fabric and silhouette to convey elements of the wearer’s character or a particular point in the story. Day-Lewis, who has said that Phantom Thread will be his final film, even became involved in creating one of the gowns for the movie, choosing a lilac color for a full-skirted gown, overlaid in lace.

- Rhonda Erb

Thursday, January 18, 2018

Press Release About Marilyn Kirschner

The Manhattan Vintage Clothing Show Returns to NYC February 2nd & 3rd

Vintage Courreges vinyl coat & vintage Pierre Cardin bag
The Marilyn Kirschner Collection
Press Release:
Contact: Ashley Lutzker at AMP3 PR

This season’s featured exhibit is pulled directly from the archives of Marilyn Kirschner New York, NY—The Manhattan Vintage Clothing Show, NYC’s premier vintage shopping event, makes its Winter return to the Metropolitan Pavilion on February 2nd & 3rd, with a special shoppable exhibit curated by lifelong vintage collector and former Harper’s Bazaar Fashion Editor and current editor of, Marilyn Kirschner. The exhibit will display a 30-piece collection pulled from her personal archives.

New York Times 2001 Bill Cunningham On the Street Column "The Color of Money"
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Marilyn Kirschner is a fashion icon and industry leader. As the editor-in-chief of popular online publication, Marilyn has made her mark as a preeminent voice in fashion. She understood the power of vintage long before it hit the mainstream and continues to lead the way in determining trends and defining style. Her remarkable eye for fashion began at an early age when Kirschner would go thrifting and vintage shopping to create her own unique looks. Over the years, Kirschner has made regular appearances in Bill Cunningham’s most noted columns in The New York Times, “On the Street”, and “Evening Hours”. As a noted muse of Cunningham’s, Kirschner was even the subject of an entire 18 picture “On the Street” column in the Times in 2001, entitled ‘The Color of Money (In the Bank)’. This season’s exhibit will be especially noteworthy,as many of the items shown were purchased by Kirschner over the past 25 years at the Manhattan Vintage Clothing Show.

“For me, it’s all about the serendipity of the shopping experience and at this show you just know you will never be disappointed, nor will you walk away empty handed. I am avowedly an equal opportunity shopper, and when I looked over my collection and thought of the amazing pieces I have amassed over the years, I can honestly say that many, if not most of my most treasured pieces were purchased at one of these shows,” says vintage icon, Marilyn Kirschner. “I’m so honored and excited to be the focus of this season’s exhibit, and to be opening up my collection to other vintage enthusiasts.”

Kirschner says the Manhattan Vintage Clothing Show is so special and unique because of, “the dizzying variety, amazing assortment, and the perfectly curated mix of top notch dealers,” and her advice for show visitors,“Don’t be bogged down by trends, they’re so overrated. What’s good is always good, and everything comes back in style anyway. It’s not about what is deemed ‘in’ or ‘it’ by so called experts. It’s about what appeals to you.”

Vintage Bonnie Cashin coat
The Marilyn Kirschner Collection

Launched in 1992, the Manhattan Vintage Clothing Show is now the largest, and oldest, vintage apparel & accessories show in the country. Featuring top vendors from around the world, it has become a true shopping mecca for fashion & costume designers and vintage fashion lovers alike.

Silver necklace vintage 1970 by Givenchy and Alisei 1980's orange silk pouf skirt
The Marilyn Kirschner Collection

Hosting 70+ vendors, Manhattan Vintage will produce an event full of vintage finds that explore the decades of fashion. This season will see a number of new vendors including Lucinda From Portobello— selling chic designer fashion and high style vintage from London, and True Vintage Eyewear —with an authentic range of vintage frames from certified optometrists. Staple vendors will also be returning to celebrate their shared love for vintage, including Cherry Vintage, Another Man’s Treasure, What Was Is Vintage, BUIS and Whistles, Swanee GRACE, La Poubelle Vintage, and many more.

Bill Blass for Bond Street 1970 striped trench with vintage floral glass necklace
The Marilyn Kirschner Collection

The Manhattan Vintage Clothing Show will be open at the Metropolitan Pavilion on Friday, February 2nd (1pm to 8pm) and Saturday, February 3rd (11am-6pm). To learn more about the Manhattan Vintage Show, or for any press related inquiries, please contact Ashley Lutzker at AMP3 PR via 646-827-9594 or  .

Sunday, January 14, 2018

Wednesdays at Michael's by Diane Clehane

Alec Baldwin, Star Jones and The Return of the Faithful 

Diane Clehane & Daisy Goodwin

Happy New Year! Having been away from Michael’s for almost a month between the holidays and one stubborn flu bug, I decided to forego my usual weekly ‘Lunch’ interview and instead make the rounds in the dining room to catch up with my favorite regulars and see what they’ve got going for 2018. Boy, was I glad I did. The usual suspects were out in full force with plenty of news to talk about. Much more on that later …

I do, however, have a ‘Lunch’ interview to share this week that turned into a phone interview at the end of December when both my daughter and I were sick at home at the same time which was just so much fun. Author Daisy Goodwin and I were supposed to meet at 55th and Fifth when she was last in town from London to talk about Victoria, whose second season premieres this Sunday night at 9 pm ET on PBS Masterpiece and the new official companion book, Victoria & Albert A Royal Love Affair (St. Martin’s Press), that she wrote with journalist Sara Sheridan.

Daisy and I ‘Lunched’ at Michael’s last year (that’s when the photo with her in this week’s column was taken) when the show debuted here on PBS in the states simultaneously with her book of the same name. I marveled at how anyone could write novel and a television show at the same time. And, even more amazing, both were deliciously romantic, gracefully done and full of wit. I couldn’t wait for season two to find out more about Queen Victoria (Jenna Coleman) and Prince Albert (Tom Hughes) and the dashing Lord Melbourne played by Rufus Sewell whose chemistry with Jenna Coleman (Victoria) in season one nearly melted down my television. Yes, I still watch shows on television.

When I rang The Whitby Hotel (where, apparently, everyone British in entertainment stays these days) to speak to Daisy she told me she was thrilled that “there had been so much enthusiasm” for the series to warrant a second season which chronicles Victoria and Albert’s marriage and how the couple deal with balancing their royal duties and personal lives. By all accounts, the couple had a tempestuous relationship and the series depicts it in ways that give interesting insights into both Victoria’s and Albert’s personalities. “As their relationship evolves, it’s hard for both of them,” Daisy told me. “After the birth [of their first child] Victoria’s [dependence] on her mother strains her relationship with Albert.”

A central storyline to the second season is how Albert copes with being an ‘outsider’ married to the Queen. “There is prejudice against him because he’s German,” explained Daisy. “And English was not his first language.” She also told me that in researching both the book and the series, Daisy found the prince to be “very underrated” because “he was pretty much a genius.” (He brought plumbing to Buckingham Palace!) This made it all the more difficult for him to be a “husband who was not master of his house” at a time in history when “women were their husband’s property.”

When Daisy told me, “I’m amazed at how little people know about Victoria and Albert,” I assumed she was talking about our own reality-show obsessed culture that considers last year ancient history, but what she said next really shocked me. Turns out it’s the Americans, not the Brits who know more about the history of the royal couple – but it’s a very specific group. “The Masterpiece audience is extremely literate.” Indeed.

Speaking of the written word, I told Daisy I love the companion book full of rich and fascinating detail that goes beyond Victoria and Albert themselves and all historical aspects of the period. It also includes interviews with the cast and a behind the scenes look at various aspects of the production including the sets and the costumes that are sure to delight the show’s many fans.

But first and foremost, said Daisy, Victoria and Albert is a great love story. “It’s a timeless story that could have been a marriage of convenience, but was one of great passion between two very different individuals. They had huge rows.”

This season that passion is front and center in the series – and ‘Lord M’ makes a return. “Rufus is fabulous. We’re very very lucky to have him back,” she said.

Daisy wrote two best-sellers before she penned Victoria and this is her first television series. I asked her now that’s she been doing television for a while, which is more rewarding. “I love hearing people say my words. There is no greater thrill. Sometimes it makes me very emotional.”

Before we said our good-byes, I had to ask her what she thought of Prince Harry’s engagement to Meghan Markle. “It’s fantastic,” she told me. “There’s no doubt there’s a lot of love there,” but she warns, “The British press is a nightmare.” I guess we’ll have to wait a while to see how the historians treat the history-making royal couple.

Seen & Heard Around the Room

Judy Twersky, Diane Clehane & Lisa Lockwood

I was thrilled to see two of my favorite people, PR maven Judy Twersky and WWD’s Lisa Lockwood in the dining room and they kindly invited me to join them. I hadn’t seen either of them since Mickey Ateyeh’s lunch for me in this very dining room to celebrate the launch of my first novel, "Imagining Diana". But I digress.

These two power gals were meeting to talk about the myriad of PR projects Judy is juggling at the moment which include HBO’s, The Number on Great-Grandpa’s arm, a documentary short which will debut on January 26th and Barbara Hannah Grufferman’s new book, Love Your Age: The Small Step Solution To A Better, Longer, Happier Life (National Geographic/AARP) which comes out next month and Sherman Yellen’s touching memoir Spotless: Memories of a New York Childhood (Moreclacke). If you’ve got a hot book, Judy should be your go-to publicist. Just ask Sheila Nevins and Chris Whipple.

Joan Kron, also a client of Judy’s, celebrated her 90th birthday with a brunch here at Michael’s on Sunday. Judy told me Joan got “the best birthday present ever” when her new film, Take My Nose ... Please, a documentary which explores plastic surgery through the eyes of female comedians, was featured in Tuesday’s Times’ television section under streaming recommendations. You can catch it on demand and on itunes and amazon. Don’t miss it!

Busy Judy is also working with Victoria Shaffer, (Paul’s daughter) producer of “Extra Innings with Bill Murray and Brian Doyle-Murray” on Facebook Watch. Paul wrote the show’s theme with Bill and Brian. Victoria makes her ‘dancing’ debut on the sixth episode! Victoria is also the production coordinator of David Letterman’s new Netflix series. And Lisa, who is one of the fashion industry’s most respected journalists, has some interesting stories in the works, so stay tuned.

Star Jones, Dennis Basso and Diane Clehane

After I dined and dished with Judy and Lisa, I stopped by Star Jones and Dennis Basso’s table to say hello. I have known Star since her days on The View, I have to tell you she has never looked better. Today I found out why. Big News: now living in Chicago, Star is engaged to Richard Lugo (the date is top secret at the moment) and is loving her work as spokesperson for International Association of Women. Star told me the organization, previously the National Association of Professional Women, has just gone global. Today was her second fitting on her wedding dress, which Dennis is designing, of course. Dennis’ designs are always exquisite and he’s sure to make Star shine on the big day. It was a lot of fun catching up with them.

And there’s more … BDA PartnersEuan Rellie was hosting some colleagues on Table One … Actress Brenda Vaccaro and fashionista Mickey Ateyeh, who is off to California, were lunching on Table Two … Dan Abrams and Brian Kilmeade were on Three.

Alec Baldwin, who spent a lot of time on his cell phone with a ‘suit’ we didn’t know on Four. An exec from ABC perhaps? … Producer Jean Doumanian, who stopped by to say hello to Brenda and Mickey when I was chatting with them on Five … Andrew Stein on Six … New York Social Diary’s David Patrick Columbia on Eight … Simon & Schuster’s Alice Mayhew with 60 Minutes’ Lesley Stahl on Alice’s usual Table Fourteen. Has Lesley got a new book in the works? I wonder …

I also got say a quick hello to attorney Bob Barnett and John Miller who were on Table Fifteen and check in with British Heritage Travel’s CEO Jack Kliger on Eighteen … LAK PR’s CEO Lisa Linden introduced me to “the best event planner in the city” Melanie McEvoy on Table Seventeen … The ‘two Joans’ – producer Joan Gelman and the grand dame of radio, Joan Hamburg were catching up on Table Twenty …And advertising guru Martin Puris was on Table Twenty-Four .

Who says nothing happens in January?